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Programmed Visions: Software and Memory. Software Studies Series. 2011

Kyong Chun, Wendy Hui. Programmed Visions: Software and Memory. Software Studies Series.. Cambridge: MIT Press, 2011.
The European Media Art Festival 2015: Irony 2015 - 2015

We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,
Feminism, Culture, and Media Studies: Race and/as Technology 2009

Kyong Chun, Wendy Hui and Lynne Joyrich, ed. Feminism, Culture, and Media Studies: Race and/as Technology. Vol.24. Camera Obscura, Durham, NC: Duke University Press, 2009.
On Sourcery and Daemons, or Code as Fetish 2008

Kyong Chun, Wendy Hui. On Sourcery and Daemons, or Code as Fetish Configurations: the Journal of the Society for Literature, Science, and the Arts , no. 16 (2008): 299-324.
Human-Mediated-Communications 2003

Kyong Chun, Wendy Hui. Human-Mediated-Communications In Reality/Simulacra/Artificial: Ontologies of Postmodernity, edited by Enrique LarrettaRio de Janeiro: Universidade Candido Mendes, 2003.
Wendy Hui Kyong Chun

Professor of modern culture and media, professor of history of art and architecture.
2016 “Digital Attraction International Contemporary Art Exhibition”, Fu-Chung 15, New Taipei, Taiwan 2016 - 2016

2016 “Digital Attraction International Contemporary Art Exhibition”, Fu-Chung 15, New Taipei, Taiwan
Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION, ISEA 2016 Catalogue, p.238-241 2016

Krämer, Harald; Howe, Daniel; Chung, Kyle, ed. Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION, ISEA 2016 Catalogue, p.238-241. Hong Kong: School of Creative Media, City University of Hong Kong, 2016.
Saehae Chung

Artist: Saehae ChungComment:
ARTEC '89: the possibility for art and technology 1989

The Council for the International Biennale in Nagoya. ARTEC '89: the possibility for art and technology. Nagoya: The Chunichi Shimbun, 1989.

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