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Sommerer, Christa and Laurent Mignonneau and Lakhmi C. Jain. The Art and Science of Interface and Interaction Design. Heidelberg: Springer Verlag, 2008.

Moes, Fabiana. Borges, Science Fiction, Hyperfiction: three means to Post-Human ? Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu (2007).

Tom Corby. Visualizing the news: mutant barcodes and geographies of conflict Leonardo: Art Science and Technology (2014): 84-85.

Kisseleva Olga, ed. Art et biodiversité : un art durable ? PLASTK Art&Science #4. Paris, France: Pantheon-Sorbonne University, 2014.

Parkhomenko Daria and Pelijhan Marko and Tshkov Leonid and Ponomarev Alexander and Kisseleva Olga. Ice Laboratory. Moscow, Russia: Laboratoria ART&SCIENCE space, 2014.

Kisseleva Olga, ed. Nano PLASTK Art&Science #3. Paris, France: Pantheon-Sorbonne University, 2013.

Miller, Arthur. Colliding Worlds: How Cutting-edge Science is Redefining Contemporary Art. New York City: W. W. Norton & Company; 1 edition (June 16, 2014), 2014.

Manovich, Lev. The Science of Culture? Social Computing, Digital Humanities, and Cultural Analytics http://manovich.net/index.php/projects/cultural-analytics-social-computing.

Manovich, Lev. Data Science and Computational Art History International Journal for Digital Art History (JUNE 2015).

Gates-Stuart, Eleanor. Communicating Science: Explorations through Science and Art Phd Thesis, Australian National University, Australia, July 2015.