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Chronoscape 2023 - 2023

The totem consists of a clock mechanism, a monitor, and hidden video camera. It is a symbolic representation or embodiment of the concept of time and serves as a reminder of its flow, the impermanence of life or the cyclical nature of existence.
Performance "Chronotopia" 2010

Event: Performance "Chronotopia"Institution: Künstlerhaus MousonturmComment:
Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain” 2017

Benayoun, M.. Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain” Chronotopies, Lecture et écriture des mondes en mouvement (2017).
Haptic Field 2016

Event: Haptic FieldInstitution: Chronus Art CentreComment:
From sensors to sensation: The “Sensory Turn” in Contemporary Art 2016

Event: From sensors to sensation: The “Sensory Turn” in Contemporary ArtInstitution: Chronus Art CentreComment:
Growing 2019 - 2019

Event: GrowingInstitution: Chronus Art CentreComment:
Yu-Chuan Tseng

Artist: Yu-Chuan TsengComment:
Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art 2011

Yeh, C. J.. Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art Ming Chuan - Magazine (2011): 53-56.
Yunchul Kim

Kim Yunchal, born 1970, studied music and composition at Chugye University for the Arts, continued his studies at the art academy for media in Cologne. He is a musician, perfomer and artist.
Control and Freedom: Power and Paranoia in the Age of Fiber Optics 2006

Kyong Chun, Wendy Hui. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: MIT Press, 2006.

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