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Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain”
2017
Benayoun, M.. Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain” Chronotopies, Lecture et écriture des mondes en mouvement (2017).
Haptic Field
2016
Event: Haptic FieldInstitution: Chronus Art CentreComment:
From sensors to sensation: The “Sensory Turn” in Contemporary Art
2016
Event: From sensors to sensation: The “Sensory Turn” in Contemporary ArtInstitution: Chronus Art CentreComment:
Growing
2019
-
2019
Event: GrowingInstitution: Chronus Art CentreComment:
Yu-Chuan Tseng
Artist: Yu-Chuan TsengComment:
Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art
2011
Yeh, C. J.. Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art Ming Chuan - Magazine (2011): 53-56.
The European Media Art Festival 2015: Irony
2015
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2015
We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,
Yunchul Kim
Kim Yunchal, born 1970, studied music and composition at Chugye University for the Arts, continued his studies at the art academy for media in Cologne. He is a musician, perfomer and artist.
Control and Freedom: Power and Paranoia in the Age of Fiber Optics
2006
Kyong Chun, Wendy Hui. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: MIT Press, 2006.
Programmed Visions: Software and Memory. Software Studies Series.
2011
Kyong Chun, Wendy Hui. Programmed Visions: Software and Memory. Software Studies Series.. Cambridge: MIT Press, 2011.
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