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Beesley, Philip. Hylozoic Soil Leonardo: Journal of the International Society for the Arts, Sciences and Technology 42, no. 4 (2009).

Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.

Barnett, Tully. Monstrous Agents: Cyberfeminist Media and Activism Ada: A Journal of Gender, New Media and Technology , no. 5 (July 2014).

Skwarek, Mark. Augmented Reality Activism In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 3-30. Cham: Springer, 2014.

Kluszczyński, Ryszard W.. art@science: About Relations between Art and Science In Towards The Third Culture: The Co-Existence of Art, Science and Technology, edited by Ryszard W. Kluszczyński, 32-42. Gdańsk: Laznia Centre for Contemporary Art,

Hessels, Scott. Relocating The Moving Image Filter Magazine: Australian Network for Art and Technology , no. 70 (2009): 3-6.

David Familian and Michael Connor. Constant World: Jennifer and Kevin McCoy. Irvine, CA: Beall Center for Art + Technology, 2009.

Kyong Chun, Wendy Hui and Lynne Joyrich, ed. Feminism, Culture, and Media Studies: Race and/as Technology. Vol.24. Camera Obscura, Durham, NC: Duke University Press, 2009.

Kera Denisa. Innovation regimes based on collaborative and global tinkering: Synthetic biology and nanotechnology in the hackerspaces Elsevier- Technology in Society (2013): 10.

Kera Denisa. Post-Apocalyptic Citizenship and Humanitarian Hardware In Nuclear Disaster at Fukushima Daiichi, edited by Richard HindmarshRoutledge Studies in Science, Technology and Society, , 222. London, Great Britain: Routledge, 2013.