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Henderson, Linda Dalrymple and Bruce Clarke, ed. From Energy to Information: Representation in Science and Technology, Art, and Literature. Stanford: Stanford University Press, 2002.

Swanson, Kara. Biotech in Court: A Legal Lesson on the Unity of Science. Los Angeles, London, New Delhi and Singapore: Social Studies of Science, 2007.

Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.

Huhtamo, Erkki. Seeing at a Distance: Towards an Archaeology of the 'Small Screen' In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 262-278. Vienna/New York: Springer, 1998.

Kyong Chun, Wendy Hui. On Sourcery and Daemons, or Code as Fetish Configurations: the Journal of the Society for Literature, Science, and the Arts , no. 16 (2008): 299-324.

Shanken, Edward A.. Cybernetics and Art: Cultural Convergence in the 1960s In From Energy to Information: Representation in Science, Technology, Art, and Literature, edited by Linda Dalrymple Henderson and Bruce Clarke, 255-277. Palo Alto, CA:

Melanitis, Yiannis. Biorobotic environments, interactions and hyperhumans: Interactive robotic performances exploring the potentials of an unknown space towards the potential of a renewed anatomy. In Biotechnological and Medical Items in Science

Spruch, Grace Marmor. Two Contributions to the Art and Science Muddle; A Report on a Symposium on Art and Science Held at the Massachusetts Institute of Technology, March 20 - 22, 1968 Artforum VII, no. 5 (January 1969): 28-32.

Grau, Oliver. Image Science & MediaArtHistories: New Infrastructures for 21st Century Digital Humanities In Mind and Matter: Comparative Approaches towards Complexity, edited by Günther Friesinger and Johannes Grenzfurthner and Thomas Ballhausen,

Kluszczyński, Ryszard W.. art@science: About Relations between Art and Science In Towards The Third Culture: The Co-Existence of Art, Science and Technology, edited by Ryszard W. Kluszczyński, 32-42. Gdańsk: Laznia Centre for Contemporary Art,