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  • Message from A. -
    In this personal work, a message received on my answering machine is visualised to be understandable. Due to technical issues (the sender called from an iPod without a microphone input) the message was transferred into keypad signals (2=ABD,
  • The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles,
  • The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles,
  • Jaromil, a free software programmer, performer and emigrant, is the author and maintainer of the GNU GPL'd softwares MuSE, FreeJ and Hasciicam, which allow audio streaming and real-time video manipulation, and of the live distribution dyne:bolic
  • Karsten Schmidt, also known as Toxi, is the director of Post Spectacular, the London-based design studio. At the heart of his practice lies the use of code as a creative tool and open-source technologies. Schmidt believes in building his own tools,
  • Goldin+Senneby (since 2004) is a framework for collaboration set up by artists Simon Goldin and Jakob Senneby; exploring juridical, financial and spatial constructs through notions of the performative and the virtual. Their collaboration started
  • The Messive -
    Tapestry weaving on a base of binary code, gives an essential knowledge about our solar system, DNA, first 7 days of creation of Bible as a message for our descendants.
  • "Roman Verostko, a founding member of the algorists, has practiced drawing and painting since graduating from the Art Institute of Pittsburgh in 1949. Reflecting on well over a half century of his work he sees continuity between drawing with his
  • Watz is an artist based in New York and Oslo. He works extensively with generative design and code to explore the creative outputs of virtual spaces defined by rule-based systems and visual abstraction through generative systems. In 2005 Watz
  • Sommerer, Christa and Laurent Mignonneau and Christine Schöpf. From the Poesy of Programming to Research as Art In Ars Electronica 2003, CODE - The Language Of Our Times, edited by Gerfried StockerOstfildern/Ruit: Hante Cantz Verlag, 2003.