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  • Everitt, Dave and Alec Robertson. Emergence and complexity: Some observations and reflections on transdisciplinary research involving performative contexts and new media International Journal of Performance Arts & Digital Media , no.
  • Fleischmann, Monika and Wolfgang et al. Strauss. Proceedings cast01 / living in mixed realities. Vol.300. ISSN 618-1387, 1 th ed.Sankt Augustin: FHG-ZPS, 2001.
  • Baumgärtel, Tilman. Media Online In Art Meets Media: Adventures in Perception, , 138ff. Tokyo: NTT Publishing Co., 2005.
  • Four participants enter into a small, closed off, pitch black dark room. The room houses a large architectural construction: 4, 1 x 6 meter long tunnels outfitted with a series of taught, fabric muslin screens. The rear screen is solid while the
  • "Two Origins" transforms the emblematic Place du Capitole by projecting the heretic "Book of Two Origins", a 13th century manuscript compiling the core theological beliefs of the dualist Cathars. Once a vibrant community in Toulouse, believers in
  • Telescanfax - video
    The procedure consists of reading the current images from television with a hand scanner and then directly sent these images transformed by a fax/modem card (or hard copy). In this way the image movement is decomposed and we have a
  • 2012. Inkjet prints on coated paper, dimensions variable. Life-sized pictures of people found on Google's Street View were printed and posted without authorization at the same spot where they were taken. The posters are printed in color on thin
  • Interview published on January 26, 2015 and conducted in 2014 during Pat Badani's participation in the 13th iteration of the Festival Internacional de la Imagen 2014. Badani was commissioned artwork for a new media solo exhibition, and during this
  • Müller-Jung, Joachim. Hasengrün - Die Gentechnik und ihre Symbole Frankfurter Allgemeine Zeitung (January 13th 2001).
  • World Wide Video Festival, ed. World Wide Video Festival, Catalogue 13th. 1995 th ed.Amsterdam, The Netherlands: World Wide Video Festival, 1995.