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  • Gombrich, Ernst Hans. Shadows. The Depiction of Cast Shadows in Western Art. London: National Gallery Publications, 1995.
  • Schwarz, Hans-Peter, ed. Medien - Kunst - Geschichte. Anläßlich der Eröffnung des Museums für Neue Kunst, ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe am 18. Oktober 1997, Medienmuseum th ed.München, London, New York: Prestel Verlag, 1997.
  • Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery
  • Born in 1967 in Berlin is an opera director and author. She produces experimental music theatre and media art inter alia in cooperation with Young Vic London (1987-89), the Academy of Arts Berlin (1993/94, Nederlandse Opera (1998), State theatre
  • Stoichita, Victor. A Short History of the Shadow. London, UK: Reaktion Books, 1997.
  • Altick, Richard. The Shows of London: A Panoramic History of Exhibitions 1600-1862. Cambridge, Massachusetts: Belknap Press, 1978.
  • Legrady, George. Floating Objects In London Regional Art Gallery, London, Ontario: 1980.
  • Ascott, Roy. The Cybernetic Stance: My process and Purpose. In Visual Art, Mathematics and Computers, edited by Roger F. Malina, 135-142. London: Pergamon Press, 1979.
  • The work of the Italian artist Pier Giorgio De Pinto thrives on the relationship between representation and concept in a constantly and suddenly changing image-based society in search of a new identity. Since the sixties, recent changes have been
  • Ascott, Roy. Cyborg est un verbe / Cyborg Is a Verb In International Directory of the Electronic Arts / Guide International des Arts Electroniques, edited by A. Bureaud, 8 -13. London: John Libby, 1995.