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  • El lienzo es la pantalla -
    Pieter-Rim de Kroon, Julien Devaux, Jean-Charles Fitoussi, Jean-Luc Godard, Ellen Harvey, Takehito Koganezawa, Malcolm Le Grice, Marcello Mercado, Anne-Marie Miéville, Vincent Monnikendam, Jacco Olivier, Jos Stelling, Straub/Huillet »
  • Liquid People
    Bohn, Christian and Monika Fleischmann and Wolfgang Strauss. Liquid People In Annual InterCommunication ´95, Tokyo, JP: NTT Publishing Co., 1995.
  • The Shape of Cities in the Future: Liquid People
    Fleischmann, Monika and Christian Bohn and Wolfgang Strauss. The Shape of Cities in the Future: Liquid People In InterCommunication Catalogue, e-Text, Tokyo, Japan: NTT Publishing Co., 1995.
  • Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking
    Mikami, Seiko and Tomohiro Itami. Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking. Tokyo, Japan: Artlab, 1996.
  • Smart Tools -
    The word "haptization" means, "making it possible to touch". A typical example is the usage of haptic display devices in order to touch computer-generated images. Therefore, it is often called "haptization of information". Previous work on
  • Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking
    Mikami, Seiko. Artlab 6: Seiko Mikami: Molecular, Informatics-Morphogenic Substance via Eye Tracking. Tokyo, JP: Artlab, 1996.
  • Illusions of Reality and Virtuality
    Fleischmann, Monika and Wolfgang Strauss. Illusions of Reality and Virtuality In Techno-Culture Matrix, , 84-85. Tokyo, Japan: ICC - NTT Tokyo, 1994.
  • Trans Plant
    Sommerer, Christa and Laurent Mignonneau. Trans Plant In Imagination - Images and Technology Gallery Exhibition Theme I, edited by T. MoriyamaTokyo: Tokyo Metropolitan Museum Of Photography, 1995.
  • Frames -
    Grahame Weinbren's Frames is an interactive, three-screen projection work, using infra-red sensor arrays to detect user input, combined with randomly accessible video under computer control. It was commissioned by the NTT InterCommunications
  • new skin -
    The Broad Art Foundation's new skin, 2002, presents an evolution from Aitken's earlier styles, both physically and conceptually. Projected from four corners of a room onto a pair of suspended, intersecting oval screens, the work is part film and
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