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  • Made in Brazil:três décadas do vídeo brasileiro
    Machado, Arlindo and Walter et al. Zanini, ed. Made in Brazil:três décadas do vídeo brasileiro. ISBN 85.85291-37-0, São Paulo: Itaú Cultural, 2003.
  • On physiological computing with an application in interactive art
    Everitt, Dave and Ernest Edmonds and Michael Macaulay and Greg Turner. On physiological computing with an application in interactive art Interacting with Computers Volume 16, Issue 5, no. https://doi.org/10.1016/j.intcom.2004.08.003 (October
  • Laura Netz
    Laura Netz (Barcelona, 1982). Curator, artist, and researcher. Currently, she is an MPhil student at CRiSAP – UAL, where studies the new tendencies in curatorial practices in sonic arts. In 2006, she graduated in Art History (University of
  • Mario Santamaría
    Mario Santamaría is a visual artist who works across a wide range of media, frequently using photography, video, performance, websites and online interventions. In recent years his work seeks to embody protocols and processes of information
  • Por un Arte Transgenic
    Machado, Arlindo. Por un Arte Transgenic De la Pantalla al Arte Transgenico (2000): 253-260.
  • Dengue na imprensa local: uma doença em notícia
    VELHO, ANA PAULA MACHADO and Diana Domingues and TIAGO FRANKLIN R LUCENA. Dengue na imprensa local: uma doença em notícia Verso e Reverso (Unisinos Online) 30 (2016): 1-9.
  • The Migrant Forms of Diana Domingues
    Machado, Arlindo. The Migrant Forms of Diana Domingues Centro Cultural Cândido Mendes (1990).
  • Antoni Abad
    Spanish artist who has evolved over time towards video art and later in net.art based on the sculpture. This way, his works moving from traditional scuptural concepts to the use of new technologies, he moved from photography to video art, followed
  • William Kentridge -
    ... art, which is to say an art of ambiguity,...
  • Cacophony (Scene 2)
    Cacophony (3 minutes) weaves historic events in the fields of art and the politics. It nears different situations and it presents them visually from the point-of-view of the media, the spectacle, dissolving their contents in a crescent aesthetic &
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