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electric earth
1999
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1999
In Doug Aitkens cinemascope-like, walk-in, multi-sectioned, video installation «Electric Earth» [...] the public is transported into the atmosphere of an airport by night. A flaming car and an abandoned shopping cart compliment the eerie scenario
CircuiTUI
2003
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2004
Bridging the gap between textbook and laboratory learning, CircuiTUI leverages the power of both advanced real-time circuit simulation and the hands-on and the collaborative atmosphere of a laboratory. With CircuiTUI, projected images of circuit
SWAMP
SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between
Explosions in the Sky
2008
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2008
The video is a game between pressures: the atmospheric pressure, the artificial pressure and the digital com-pressure; the result are fragments, material, picture and sound units. The bottom and the top seems fighting but, in reality, this is their
Continuum
2007
Continuum is a mirror that "captures" anything that moves before it. Anything that does not move is not reflected but is lost in the inky blackness of the background of the screen image. Continuum is a "mirror" that "reflects" things as both a
Blow up
2005
video
Blow Up records, amplifies, and projects human breath into a room-sized field of wind. The installation comprises two devices. The first is a rectangular array of twelve small impellers, which stands on a table on one side of the gallery. This small
Maschinensehen (Machine-Vision)
2013
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2013
Through video essays and photography, the exhibition MASCHINENSEHEN [MACHINEVISION] documents the practice of picture production: its devices and technologies, the laboratories, as well as the sites where the new processes are applied. In addition,
Endurance: The Polar Studies
2022
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2023
video
An exploration of the beauty within the fragile Polar environments. Inspired by first-hand accounts from Ernest Shackleton’s 1914 expedition to the Antarctic, Dominic Harris’ Endurance: The Polar Studies transports the viewer to extreme regions of
Collector
2015
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2015
Collector- a man with an electromechanical street-organ. He walks out to the streets of any city, to any place and just rotates the handle of his instrument. Yet, instead of the repetitious reproduction of the pre-inscribed melodies the street-organ
Form/Code/Maps: Zeichenluft
2015
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2015
The exhibition features spatial and site-specific works from the series 'Form.Code.Maps', which translate areas of experience such as landscape, body, space, atmosphere into fluctuating computer-generated 3-D lenticular images. Introduction:
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