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Ralph Schreiber
contact --- Ralf Schreiber Iltisstr. 73 50825 Köln / GERMANY -- +49(0)221 5397489 +49(0)151 14316644 -- www.ralfschreiber.com -- mail[aaaaaaat]ralfschreiber[dooooooot]com
Geoff Davis
Information sites https://microartsgroup.com https://geoffdavis.org Micro Arts’ Geoff Davis computer generative art is now in the Francisco Carolinum Museum, Linz, Austria; the Franke Foundation collection, Germany; the Computer Arts Archive, UK;
Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality
2019
Moore, Lila. Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.30 [08.07.2019].
Orbit
2002
-
2008
A light source rotates around the visitors like a satellite, causing their shadows to rotate like a clock. The waxing and disappearing of the shadow distort their faces. Although it turns about 1440 times faster than the midnight sun at the North
Liminal Spaces
2015
video
Visitors inhabit a dome-space where they move, communicate and interplay with performers. An experience of audience participation and multi-user interaction. Home to layers of performance, image, sound, text and interactivity, the dome space
Liminal Spaces
2015
video
Visitors inhabit a dome-space where they move, communicate and interplay with performers. An experience of audience participation and multi-user interaction. Home to layers of performance, image, sound, text and interactivity, the dome space
ADA_KONDITION_PLURIEL_FEATURE_270224.pdf
KONDITION PLURIELThe Archive of Digital Art, 03/2024Text & Interview by Alejandro Quiñones Roa“Integrating body-based performance and digital arts, the artists generate alanguage outside of established disciplines, focusing as much on the
Featured Artist kondition pluriel
02/2024
kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of
Stereoscopic Displays and Applications II
1991
Fisher, Scott S. and John O. Merritt, ed. Stereoscopic Displays and Applications II. Proc. SPIE 1457, Cambridge: 1991.
Preservation of Digital Art, Theory and Practice
2012
Serexhe Bernhard. Preservation of Digital Art, Theory and Practice. ISBN 978-3-7091-1469-8, EU program INTERREG IV Oberrhein: Ambra V, Vienna, 2012.
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