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  • Zentralperspektive, Kalkül, Virtuelle Realität. Sieben Thesen über die Weltbildimplikationen symbolischer Formen
    Krämer, Sybille. Zentralperspektive, Kalkül, Virtuelle Realität. Sieben Thesen über die Weltbildimplikationen symbolischer Formen In Medien - Welten - Wirklichkeiten, edited by Gianni Vattimo and Wolfgang Welsch, 27-38. München: Fink Verlag,
  • Was haben die Medien, der Computer und die Realität miteinander zu tun?
    Krämer, Sybille. Was haben die Medien, der Computer und die Realität miteinander zu tun? In Medien, Computer, Realität. Wirklichkeitsvorstellungen und Neue Medien, edited by Sybille Krämer, 9-26. Frankfurt/Main: Suhrkamp Verlag, 1998.
  • Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION, ISEA 2016 Catalogue, p.238-241
    Krämer, Harald; Howe, Daniel; Chung, Kyle, ed. Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION, ISEA 2016 Catalogue, p.238-241. Hong Kong: School of Creative Media, City University of Hong Kong, 2016.
  • Edward Kulemin
    1960 - born in town Yaroslavl, Russia; 1984 - graduated from the Moscow Power Engineering Institute; - an artist, poet, author of many art-projects; - an inspirator and organiser of various communication creative societies (KEPNOS,
  • Narrative and Interactivity
    Legrady, George. Narrative and Interactivity In Present Formations, edited by Hubertus von Amelunxen and Antje Krause-WahlKiel: Muthesius-Hochschule, Kiel, 2001.
  • Pedigree video
    click here to read the codeclick here to launch ProjectJava Applet
  • CODeDOC II exhibition
    CURATORIAL STATEMENT:Many of the prominent international practitioners in the field of software art could not participate in the first version of CODeDOC since the Whitney Museum is, by its mission, devoted to American artists (citizens and artists
  • Verzeichnis
    Krautgasser, Annja, ed. Verzeichnis. Wien: Schlebrügge Editor, 2010.
  • Room for Manoeuvre -
    The exhibition 'Room for Manoeuvre' features new works by Knowbotic Research (KRcF), known for their advanced network and media projects since the founding of the artist group in 1991. In a specially designed audio-visual installation including four
  • Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign
    krcf. Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.
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