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  • ... and "Bots" (2000), a tool for building unique pop-culture icons from parts. In his projects his artistic training as a painter... Mark Napier realizes only works for the Internet. He has produced a wide range of Internet projects, including "The Shredder" (1998), an...
  • ... In her work, sound serves both as a medium and a catalyst for introspection. Her sound installations encourage viewers to...
  • Cross Currents -
    ... URBANO) and Motel Vilina Vlas (Sprengel Museum, Hanover, 1996) forming the second and third parts respectively. Like its...
  • ... torch lights and prying gaze, are positioned as the ‘other’, forced to experience the anomalies of a perceptual disequilibrium that...
  • ... away from the real motif towards the abstract one using form and colour on two levels: colour (the RGB colour model), is...
  • ... and timeline. I also intentionally kept the patterns, symbols, icons, and images that only the computer can create so as to contrast...
  • Forced Leisure -
    ... glitches, which are used to treat the proband. Time frames for leisure are premeditated in our society, imitating the way we live...
  • ...The video work stillalive is a commission for the Kunsthaus Graz and the exhibition ‘Faking the Real’. The concept was to produce an artistic...
  • Transarchitectures -
    ... qu'il ne passe à l'acte. Un non-espace non-matière. Il prend forme en s'actualisant. L'architecture du virtuel c'est à la fois...
  • Missing matter -
    ... avant qu’il ne passe à l’acte. Un non-espace non-matière. Il prend forme en s’actualisant. L’architecture du virtuel c’est à la fois...