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  • The Magic Flute -
    ... from the proscenium to the back of the stage put me in mind of the...
  • [ in time time ] -
    ... a flesh-and-blood individual does. This incident establishes a... in the way that the portrait gazes back at the participants. “Proxemics:”... media, modifying what W.T.J. Mitchell refers to as the “picture...
  • .. his artistic development between research in the humanities, multi-sensory engineering and collaborative practice in the fields of digital art and theatre ..
  • ... editing system. I also went back to technical support provision for... converters, digital video switching and distribution amplifiers, the...
  • ... the Performance 1) Sakamoto does not initially appear on the stage.... from the piano are all shifted back and forth from left to right. The... dots of light are placed, the pitch of the notes and the patterns of...
  • SonoMorphis - video
    ... sends them with related images back to web users. The SGI communicates... like timbre variations, pitch alterations, dynamically moving...
  • ... Acevedo’s visual music explores the implications of synesthesia through computer animated geometry.
  • ... out of new display materials back in physical space, and in this...
  • ... as this happens the next group does the same sound, then the third,... sound, then the third, then back to the first - making a kind of... the caller could also switch roles with the signal conductor the...
  • Elke Reinhuber's work focuses on decision making processes and counterfactual thoughts in media arts. As a decidophobic in her own life, she explores alternative layers of the here and now with immersive environments and expanded photography.