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  • Poetry is the art of the word, but it can also be the art of human restlessness before the limits of language. So, it is expected that poets seek to extrapolate the conventional domains of verbal dynamics. One of the ways to do this is to approach
  • Karl Salzmann (*1979 in Bludenz) is a sound and media artist currently based in Vienna. In his artistic practice he uses sound and noise and combines them in performance, conceptual and installation art. His work is characterized by the visual
  • Born in 1996 in Bogotá, Colombia. Currently studying Interface cultures master at the University of Art and Design Linz, Austria. He holds a bachelor’s degree in fine arts at the National University in Bogotá, Colombia. His work includes interface
  • Plane -
    Three destinations host this performance, which consists of producing the same “micro-action” of throwing a paper plane. A video relates the stages of these initiation voyages to a Stalin- era building in Moscow, to the Grand Canyon in Arizona and
  • Eduardo Kac -
    curator: Angel Kalenberg Reconocido internacionalmente por sus instalaciones interactivas y por sus trabajos de bio arte, Eduardo Kac explora la fluidez de la posición del sujeto en el mundo postdigital, cuestionando la evolución, la memoria y hasta
  • Diadrama
    The Diadrama was an audio-visual performance with over 2000 slides being projected onto a large wide screen by three pairs of synchronised slide projectors. The main themes explored in this work were panoramic methods of representation, the collage
  • Lozano-Hemmer, Rafael. Utterance 4 - Relational Architecture Performance Research Magazine 4, no. 2 (Summer 1999).
  • For the opening night of the #HYPERLINK festival on 26th April 2013, Alex May debuted a 75 minute ‘Painting With Light’ live video mapping art performance in the South Tank at Tate Modern, London. Using his own custom software, Alex creates scenes
  • Martin Rieser, was visiting Professor Pervasive Media Studio Bristol and Professor of Digital Creativity, at the Institute of Creative Technologies, in De Montfort University, Leicester. In 1990 he began experimenting with permanent digital ceramic
  • Abandoned
    Abandoned artist's studio featuring a technical apparatus in a process of transition in which analog turns into digital. Reflection on mise-en-scène of media, performance, installation and exhibition: recorded and constructed, present and absent,