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  • Thinking Machines: Art and Design in the Computer Age, 1959–1989 -
    curators Sean Anderson and Giampaolo Bianconi.
  • Water Lily Invasion -
    As global water levels and temperatures rise, plants and animals are mutating to adapt. Strange new creatures are arising at the interstices between plant and animal, questioning and transgressing the boundaries of what is considered to be reactive
  • I am Sound -
    From Mission Base's Website: An interactive image/sound installation by Tamiko Thiel (image) and Christoph Reiserer (sound), 2016 "I am Sound" interweaves contemporary concerns with surveillance, face tracking and use of personal data into a
  • Profile Intermedia 4 -
    International Designconference and exhibition. Topic: motion e)motion emotion.
  • Another Day in Paradise -
    The installation "Another Day in Paradise" was composed of three preserved trees: surveillance, video and touchscreen trees. The equipment not contained in the trees themselves was hidden from view in fiberglass rocks. The monitors were embedded in
  • Power and Water
    The installation included a custom-designed robotic painting machine, large hand-painted images, and several images painted with the robot. All images were from events surrounding the building of the Los Angeles Aqueduct between 1906-13.
  • Stupid Robot -
    Designed to annoy, reminiscent of a legless beggar, Stupid Robot shakes a can of metal parts noisily when approached.
  • Catherine B Fisher
    Dr. Catherine B. Fisher has been an exhibited and published artist for over forty years. She lives in the Sutherland Shire of New South Wales, Australia. Her artworks are nationally award-winning & multi-disciplinary - printmaking, digital art,
  • Featured Artwork "Cadence" by Kayla Parker (2022)
    Cadence (2022) by Kayla Parker is an animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain.
  • The Telepresence Garment -
    I first conceived the Telepresence Garment in 1995 to investigate the notion of the mediascape as an expanded cloth; i.e., to consider wireless networking as a new fabric that envelops the body. The Garment, which I finished in 1996, gives
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