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  • L`Abécédaire de Christophe Bruno
    Bruno, Christophe. L`Abécédaire de Christophe Bruno Poptronics Boot-04 (August 2007).
  • Georges: Programme video by bureaudesvideos.com -
    Artists: MARINA FAUST, MARCELLO MERCADO, MARIO GARCIA TORRES, CHRISTOPHE BRUNNQUELL
  • PIXELSHADE (I & II) -
    PIXELSHADE (I & II) The ‘PixelShades’ are part of a series of projects that were developed for the occasion of showing with Ingo Maurer in Milan & New York in 2006 and 2007. They are designed to print out any digital information (images,
  • JND (just noticeable difference) #1: Semblance -
    JND is a new series of multimedia installations that explores the concept of just noticeable difference. The first project, Semblance, is an interactive installation exploring the phenomenon of cross modal perception - the ways in which one sense
  • CHRONOPOLIS -
    Chronopolis consists of a 10 x 10 meter square floor-projected interface that visitors walk over. The computer generated interface displays days, hours, minutes and seconds grids over which four animated pictograms representing these time elements
  • Christopher Bauder
    Christopher Bauder (born 1973) started working in the field of interactive installation art after finishing his studies in the Digital Media Class at the Berlin University of the Arts. His projects focus on the translation of bits and bytes into
  • Population Dynamics of Digital Organisms
    Ray, T. S.. Population Dynamics of Digital Organisms In Artical Life II - Video Proceedings, edited by Christopher G. LangtonRedwood City, CA: Addison-Wesley, 1991.
  • Muntadas. Espacios, lugares y situaciones
    Philips, Christopher and Adrian Searle and Antoni Mercader. Muntadas. Espacios, lugares y situaciones. Santander, Spain: Fundación Marcelino Botín, 2008.
  • Lautriv Chromagnon Medusa
    Lautriv Chromagnon MedusaArtist: Franz FischnallerComment:
  • Anamorph-Lattice
    Anamorph-Lattice, 6 black-white family snapshots repeated 30 times are organized by the Voronoi mathematical model so that the images disrupt the frontal perspective viewing, creating altered perspectives reminiscent of 16th and 17th century
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