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  • Double Life -
    "My double life" is a video installation made up of several diptychs. All individuals divide their lives into a professional activity performed in order to survive, and their true skills that are unrelated to work. The diptychs show the
  • Record Again! 40 Jahre Videokunst.de. Teil 2 -
    The goal was to save video material threatened with disappearance and to rescue forgotten material. The project succeeded in retrieving a large number of videos from the 1960s and 1970s, believed lost, from artists, estates, and museum storerooms;
  • Karsten Schmidt
    Karsten Schmidt, also known as Toxi, is the director of Post Spectacular, the London-based design studio. At the heart of his practice lies the use of code as a creative tool and open-source technologies. Schmidt believes in building his own tools,
  • Edward Kulemin
    1960 - born in town Yaroslavl, Russia; 1984 - graduated from the Moscow Power Engineering Institute; - an artist, poet, author of many art-projects; - an inspirator and organiser of various communication creative societies (KEPNOS,
  • Virtual World
    Cashill, Robert. Virtual World Theatre Crafts International TCI 29, no. 2 (February 1995): 44.
  • Arte y robótica. La tecnología como experimentación estética
    Iglesias, Ricardo. Arte y robótica. La tecnología como experimentación estética. ISBN: 978-84-15715-74-0. th ed.Madrid: Casimiro, 2016.
  • SK-Interfaces – Exploding Borders in Art, Technology and Society -
    Event: SK-Interfaces – Exploding Borders in Art, Technology and SocietyInstitution: Casino Luxembourg - Forum d'art contemporainComment:
  • The Machine in the Garden -
    Not only does god play dice... but he sometimes throws them where they can't be seen - Stephen Hawking THE MACHINE IN THE GARDEN is an interactive videodisc installation dealing with gambling and spirituality, twin distillates of our
  • World Skin
    Event: World SkinInstitution: Casino, LuxembourgComment:
  • Sk-interfaces -
    Event: Sk-interfacesInstitution: Casino Luxembourg - Forum d'art contemporainComment:
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