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Interactivity as Media Reflection between Art and Science
2008
Fleischmann, Monika and Wolfgang Strauss. Interactivity as Media Reflection between Art and Science The Art and Science of Interface and Interaction Design (2008): 75-92.
Radical digital and post-biological with affective enactive systems in art and technoscience for the re-engineering of life and a healthier future
2018
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2018
Congress of art, science and technology - Digital Arts Seminar
The Strengths of Nations
2006
In this impressive poster developed by Dick Klavans and Bradford Paley, with the help of Kevin Boyack and ISI data, one can see the variations in how different nations pursue science. The concept is not only ingenious but also takes full advantage
Trisolaris Chinoiserie
2021
The animation derives from the chinoiserie style frescos on the Hillside Palace of Pillnitz Castle. Fragments of these appear on revolving globes, like heavenly spheres. The three globes allude to the science fiction trilogy Trisolaris by Cixin Liu.
Karen Alekyan
Karen Alekyan was born in 1975 in Gyumri, Armenia. As a contemporary artist, his art reflects the social-economical pictures and global technological, scientific, cultural developments. The Contemporary Art is an inseparable part of the developing
(collective) Monika Fleischmann | Wolfgang Strauss
Ryszard W. Kluszczyński, 2011: "Monika Fleischmann and Wolfgang Strauss undertook their joint, creative actions in combined fields of art and science in late 1980s. (...) We can say that the art of Fleischmann and Strauss has developed in parallel
Thomas Kuleßa
Programmer and artist from Cologne, Germany. Studied art and design at the Academy of media arts in Cologne, Computer science and Sociology at the University of Dortmund.
Agnes Meyer-Brandis
Agnes Meyer-Brandis is an Artist who concentrates on the Interface of Art and science. Other themes of her are the search for differentiation of fact and fiction, fantasy and Technology.
Listening to trees across the jordan river
2019
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2020
The exhibition at the Negev Museum of Art is part of an international project, which originated in 2012 under the title of EDEN (Ethics, Durability, Ecology, Nature). The project is based on the idea of continuing the restoration of the enchanted
Jörg Auzinger
Joerg Auzinger’s art deals with the relationship between human, nature and the sociopolitical aspects of a technology-based communication society. Joerg Auzinger’s artistic work is situated between art, science and technology. In interactive
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