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  • Jill Scott is an Artist and Professor for Art and Science in the Institute Cultural Studies in the Arts, at the Zurich University of the Arts. She holds a PhD form the University of Wales (UK), MA of USF, San Francisco, and a Degree in Education
  • Bill Seaman is a media artist and professor. He holds a Ph.D. from CAiiA, the Centre For Advanced Inquiry into the Interactive Arts a Master of Science in Visual Studies degree from the Massachusetts Institute of Technology (MIT), and a BFA at the
  • Kisseleva, Olga. To be here and there: General Relativity and Quantum Physics In PLASTK Art and Science 1, Université Paris 1, Panthéon-Sorbonne, edited by Olga KisselevaParis: Université de Paris I, Panthéon-Sorbonne, 2010.
  • Gleich, Michael and Jeffrey Shaw, ed. The Web of Life Project: Linking Art and Science. Karlsruhe: ZKM, 2004.
  • Sommerer, Christa and Laurent Mignonneau. Media Facades as Architectural Interfaces The Art and Science of Interaction and Interface Design 1 (2008): 91-102.
  • Ken Rinaldo is internationally recognized for interactive art installations developing hybrid ecologies with animals, algorithms, plants, and bacterial cultures. His art/science practice serves as a platform for hacking complex social, biological,
  • Lane, Allan, ed. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of this Century. London: Penguin Press, 1968.
  • Harmon, Leo and Ken Knowlton. Picture Processing by Computer Science 164 (1969): 19-29.
  • Águeda Simó is a multimedia and research artist who investigates and teaches the interaction between art and science using new technologies. She started her artwork in the field of video developing an aesthetic that led her to work with computer
  • Karina Smigla-Bobinski works as intermedia artist with analogue and digital media. She produces and collaborates on projects ranging from kinetic sculptures, interactiveinstallations, art interventions, featuring mixed reality and interactive art