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Sommerer, Christa, "Interface Culture: The Art and Science of Invention", Lecture at Technological and Aesthetic Transformations of Society, Technical University Darmstadt (Germany), 13.10.2005 2005 - 2005

Event: Sommerer, Christa, "Interface Culture: The Art and Science of Invention", Lecture at Technological and Aesthetic Transformations of Society, Technical University Darmstadt (Germany), 13.10.2005Institution: Technische Universität
Diver 2018 video

Interactive installation exploring the potential of single-user virtual reality. Rearrangement of multiple subjective camera views captured from the body of an Olympic diver. VR head-mounted display transmitting simultaneous viewpoints and
Jeffrey Shaw

Jeffrey SHAW has been a pioneer and leading figure in new media art since its emergence. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments, aiming to change the
Diver 2018 video

Interactive installation exploring the potential of single-user virtual reality. Rearrangement of multiple subjective camera views captured from the body of an Olympic diver. VR head-mounted display transmitting simultaneous viewpoints and
Cyberart: some artistic, aesthetic, technological and poetic contents. 2002

DOMINGUES, DIANA MARIA G. Cyberart: some artistic, aesthetic, technological and poetic contents. Heterogénesis (2002): 54-62.
Götzendämmerung: Art and AI as Aesthetic Discourse in the Age of Trans- and Posthumanism 2020 - 2020

Event: Götzendämmerung: Art and AI as Aesthetic Discourse in the Age of Trans- and PosthumanismInstitution: Haus der KunstComment:
Aesthetica IV: Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik 1960

Bense, Max. Aesthetica IV: Programmierung des Schönen. Allgemeine Texttheorie und Textästhetik. Baden - Baden, Krefeld: Agis - Verlag, 1960.
Jody Zellen

Jody Zellen is a Los Angeles based artist who works in many media simultaneously making interactive installations, mobile apps, net art, animations, drawings, paintings, photographs, public art, and artists' books. She employs media- generated
HyperKult 14 2005 - 2005

»HyperKult - Computer as Medium« takes place as an annual (non-profit and no-budget) symposium since 1990. Hyper(media)Kult(ur) was an at this time an upcoming field of research across the borderline of technical and cultural disciplines. HyperKult
AESTHETICA, 50 Years Computer Generated Art 2015 - 2015

Event: AESTHETICA, 50 Years Computer Generated ArtInstitution: DAM GalleryComment:

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