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On sight
1991
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1991
An interactive digital video projection installation 1 large scale projection, colour, silent 10 x 12 x 6 metres The position of the viewer in front of the image controls the activity of the various objects on the screen. At the bottom of the
Memory Dress
Well, things don't always turn out the way you plan - this project certainly didn't. I learned a couple of things: 1/ Magnetic core memory is very hard to find. 2/ Most people who are interested in magnetic core memory are very
Sleep Walking
2008
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2008
In the next thirty years we will see more robotic technology integrated into our society, furthering our experience of reality through agency. Robots already go beyond the limitations of our bodies. They build things that we find too difficult or
http://www.superenhanced.com/
2001
-
2010
Typically, the cells have no windows. Lights are controlled by guards who may leave them on night and day. For exercise there is usually only a room with high concrete walls and a chin-up bar. Showers may be limited to three per week for not more
Magic forest
2002
Magic Forest. 2002. Was made for the exhibition Head On in 2002, a show at the Science Museum on neurology and the brain. The work was produced in collaboration with Wellcome Foundation. The final work is a dream-like journey through a sea of
Bill Viola
... at the San Diego
Zoo
, and fire walking rituals...
2018 “ Art Walk with Medical Science”, XI Symposium Neuroradiologicum”, Taipei International Convention Center, Taipei
2018
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2018
2018 “ Art Walk with Medical Science”, XI Symposium Neuroradiologicum”, Taipei International Convention Center, Taipei
The Strengths of Nations
2006
In this impressive poster developed by Dick Klavans and Bradford Paley, with the help of Kevin Boyack and ISI data, one can see the variations in how different nations pursue science. The concept is not only ingenious but also takes full advantage
Jun Takita
Jun Takita, born in 1966 in Tokyo, graduated in 1988 from Nihon University, majoring in arts. He received a Masters from Paris Ecole National d’Art in 1992, having received a scholarship from the French government. He draws heavily from concepts of
Stanford Medical Center
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