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To be here and there: General Relativity and Quantum Physics 2010

Kisseleva, Olga. To be here and there: General Relativity and Quantum Physics In PLASTK Art and Science 1, Université Paris 1, Panthéon-Sorbonne, edited by Olga KisselevaParis: Université de Paris I, Panthéon-Sorbonne, 2010.
The Web of Life Project: Linking Art and Science 2004

Gleich, Michael and Jeffrey Shaw, ed. The Web of Life Project: Linking Art and Science. Karlsruhe: ZKM, 2004.
Media Facades as Architectural Interfaces 2008

Sommerer, Christa and Laurent Mignonneau. Media Facades as Architectural Interfaces The Art and Science of Interaction and Interface Design 1 (2008): 91-102.
Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of this Century 1968

Lane, Allan, ed. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of this Century. London: Penguin Press, 1968.
Scott Sona Snibbe

Scott Snibbe is a pioneering digital artist and entrepreneur whose work includes apps, video, and interactive installations. His art is in the permanent collections of the Whitney Museum of American Art and the Museum of Modern Art (MoMA), which in
Jane Tingley

Jane Tingley is an artist, curator and Assistant Professor at York University. Her studio work combines traditional studio practice with new media tools - and spans responsive/interactive installation, performative robotics, and telematically
Picture Processing by Computer 1969

Harmon, Leo and Ken Knowlton. Picture Processing by Computer Science 164 (1969): 19-29.
Computer-Produced Movies 1965

Knowlton, Kenneth C.. Computer-Produced Movies Science 150 (1965): 116 -120.
Relating Art to Science and Technology: An Educational Experiment at the Massachusetts Institute of Technology (M.I.T.) 1973

Preusser, Robert. Relating Art to Science and Technology: An Educational Experiment at the Massachusetts Institute of Technology (M.I.T.) Leonardo 6, no. 3 (Summer 1973): 199 - 206.
David Tomas

David Tomas is professor in the École des arts visuels et médiatiques at the Université du Québec Montréal. In addition to being an artist whose multimedia work explores the cultures and transcultures of imaging systems, Tomas has written articles

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