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Mediaflow
2006
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2006
video
MEDIAFLOW :BROWSER AAND INSTALLATION 2006 Thoughts in the flow, that's what the Media Flow Interface stands for. The entire content of an archive, here netzspannung.org, is visible at a glance. Parallel streams of images and words run along the
Represented by Galerie Anita Beckers at ARCOmadrid 2016
2016
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2016
Event: Represented by Galerie Anita Beckers at ARCOmadrid 2016Institution: IFEMA (Feria de Madrid)Comment:
Unmakeablelove
2008
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2008
video
UNMAKEABLELOVE is a revioning of Beckett’s initial investigation that focuses and makes interactively tangible, a state of confrontation and interpolation between our selves and another society that is operating in a severe state of physical and
Fall Again, Fall Better
2012
Fall Again, Fall Better is an installation constituted by two elements: a projection screen or a large LCD monitor, displaying computer-generated content in anaglyphic red/green 3-D, and the user interface, which is a handle from an urban subway
Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland
2000
Schwab, Gabriel. Cosmographical Meditations on the In/Human: Beckett’s The Lost Ones and Lyotard’s ‘Scapeland Parallax 6, no. 4 (2000): 58-75.
Electronic Samuel Beckett: Cochlear Samuel Beckett
2016
Sanchez Cardona, LM. Electronic Samuel Beckett: Cochlear Samuel Beckett. Documentos DAH, Mexico: Universidad Autónoma Metropolitana/Juan Pablos Editor, 2016.
The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation
2016
Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.
Changing Space: Virtual Reality as an Arena of Being
1998
Davies, Char. Changing Space: Virtual Reality as an Arena of Being In The Virtual Dimension: Architecture, Representation, and Crash Culture, edited by John Beckmann, 144-155. New York: Princeton Architectural Press, 1998.
William Kentridge: What will come…has already come
2007
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2007
Mit der Präsentation neuer Arbeiten – Zeichnungen, Drucke, Stereoskopien und einer 8-minütigen filmischen Anamorphose – schließt William Kentridge sein Engagement als erster Inhaber der Max-Beckmann-Stiftungsprofessur in Frankfurt ab. Kentridges
Open Problems in Artificial Life
2001
Bedau, Mark and John McCaskill and Norman Packard and Rasmussen Steen et. al.. Open Problems in Artificial Life Artificial Life 6 (2001): 363-376.
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