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The Visible Radio: Process Visualization of a Software-Defined Radio
2005
Hall, Matthew and Alex Betts and Donna Cox. The Visible Radio: Process Visualization of a Software-Defined Radio In IEE Visualization, edited by Minnesota IEEE Press Minneapolis, 21. Minneapolis, Minnesota: 2005.
Substance
2017
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2017
We live today in an age of simulation as coined by French sociologist Jean Baudrillard. According to him, simulation is defined as the coinciding of appearance with reality. Thus, the boundaries between fiction and reality are blurred and
All American: Defining Ourselves in a Time of Change
2009
despain, Cara. All American: Defining Ourselves in a Time of Change Artpulse Magazine (July 2009).
All American: Defining Ourselves in a Time of Change
2009
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2009
"All American: Defining Ourselves in a Time of Change" features 13 contemporary artists, both national and regional artists. All ask that same question.
Behave
1987
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1987
This work examines the ways we communicate through our behavior. Commissioned by Rebo High Definition Studios, New York, it is the first example of computer animation recorded to the HDTV (High Definition Television) format. Animation was
Quarxs, dessins et vidéos
2011
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2011
L’exposition à la médiathèque George Sand présente le travail vidéo de Maurice Benayoun - La série Quarxs réalisée entre 1990 et 1993 en collaboration avec le dessinateur de bandes dessinées François Schuiten et l'écrivain Benoît Peeters. une des
Artpool
1979
LichtGraffiti
2001
Computer-controlled interactive light installation with two light scanners Federal Educational Academy, Feldkirch (A), competition 2001-present [English title, Light Graffiti] 'LichtGraffiti' is an interactive light installation conceived for the
transmediale.11: response:ability
2011
In our post-future era of acceleration and densification of information, the state and nature of being live and online becomes one of the crucial definers of our social presence. Response and action are compressed into an existential here and now
Parcours multimédia de l'Abbaye Royale de Fontevraud
2000
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2000
Conception et direction artistique du projet Fresque numérique haute définition par Alain Escalle Conception muséographique des dispositifs interactifs Programmes multimedia en collaboration avec Hyptique Mise en musique du cloître
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