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Artificial Fishes: Autonomous Locomotion, Perception, Behaviour, and Learning in a Simulated Physical World.
1994
Terzopoullos, Demetri and Xiaoyuan Tu and Radek Grzeszcuk. Artificial Fishes: Autonomous Locomotion, Perception, Behaviour, and Learning in a Simulated Physical World. Artificial Life 1, no. 4 (Summer 1994): 327-351.
Second Life: how may it augment our first (learning) life? A review of the current and potential use of Second Life in creative arts education.
2009
Biggs, Simon. Second Life: how may it augment our first (learning) life? A review of the current and potential use of Second Life in creative arts education. (2009).
Outside in: exile at home. An algorithmic discrimination system.In: Andrés Burbano; Ruth West (coord.) AI, Arts & Design: Questioning Learning Machines.
2020
Castro, Annabel. Outside in: exile at home. An algorithmic discrimination system. In: Andrés Burbano; Ruth West (coord.) AI, Arts & Design: Questioning Learning Machines. artnodes , no. 26 (July 2020): 1-7.
Wearables and Detection of Falls: A Comparison of Machine Learning Methods and Sensors Positioning
2022
PINTO, ARTHUR B. A and GILDA A DE ASSIS and LUIZ C. B TORRES and THOMAS BELTRAME. Wearables and Detection of Falls: A Comparison of Machine Learning Methods and Sensors Positioning NEURAL PROCESSING LETTERS 1 (2022): 1-15.
2002 Dieter Baacke Award for the "netzspannung.org" workshop in the field of Media Art Learning: "I see what you hear" (2nd priz
2002
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2002
Event: 2002 Dieter Baacke Award for the "netzspannung.org" workshop in the field of Media Art Learning: "I see what you hear" (2nd prizInstitution: f Media Art LearningComment:
f Media Art Learning
Deep Contact
1986
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1989
The next interactive piece, DEEP CONTACT (1989), directly involves the body of the viewer/participant who were required to touch the computerscreen. Viewers choreograph their own encounters in the vista of voyeurism by actually putting their hand on
Endpiece #79
1990
28. Endpiece, #79, 1990 Open: 6" by 20" Pen plotted drawing. The limited edition of 125 copies, bound in leather, was pulled by hand at the St. Sebastian Press in Minneapolis in 1990. Each copy has original, "one of a kind", tipped in front
Untitled & Untied
2020
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2020
Installation that utilizes machine learning to reflect on systematic discrimination by focusing on the indefinite detention of Mexicans with Japanese heritage concentrated in Morelos during WWII. This algorithmic discrimination system tears apart
Featured Artwork "Outside in: Exile at home" by Annabel Castro (2018 – 2021)
09/2024
"Outside-in: exile at home" (2018 - 2021) is an installation by digital artist Annabel Castro. In the installation, using a machine learning algorithm, four classic fiction films are continuously torn apart inside a screening room.
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