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  • Naimark, Michael. Truth, Beauty, Freedom, and Money: Technology-Based Art and the Dynamics of Sustainability Leonardo/ISAST (May 2003).
  • Naimark, Michael. Art ("and" or "versus") Technology Some Personal Observations In Art@Science, edited by Sommerer. Christa and Laurent MignonneauNew York, Wien: Springer, 1997.
  • Gregory Lasserre and Anais met den Ancxt are two artists who work together as a duo under the name Scenocosme (www.scenocosme.com). They live in France. They develop the concept of interactivity in their artworks by using multiple kind of
  • Bill Seaman is a media artist and professor. He holds a Ph.D. from CAiiA, the Centre For Advanced Inquiry into the Interactive Arts a Master of Science in Visual Studies degree from the Massachusetts Institute of Technology (MIT), and a BFA at the
  • Ascott, Roy. Information Technology Assessment Report. London: 1998.
  • Hito Steyerl is professor for experimental film and video and the co-founder of the Research Center for Proxy Politics at the Berlin University of the Arts. She studied cinematography and documentary film in Tokyo and Munich and wrote her doctoral
  • Born in the Japanese city of Fukuoka, media artist Naoko Tosa was awarded a PhD for Art and Technology research by the University of Tokyo in 1999. She gained experience as a lecturer at Musashino Art University in Tokyo from 1989 to 1994. After
  • Napier, JoAnn and Denise Shortt and Emma Smith. Culture: Char Davies, Virtual Artist In Technology with Curves: Women Reshaping the Digital Landscape, Toronto, Ontario: Harper Colllins Ltd, 2000.
  • Popper, Frank. High Technology Art In Digitaler Schein: Ästhetik der elektronischen Medien, edited by Florian RötzerFrankfurt/Main: Suhrkamp, 1991.
  • Patterson, Nancy. Technology (Does not Equal) Art Fuse 20, no. 5 (November 1997): 43-45.