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  • Alvaro, Sandra. The public sphere in the epoch of the algorithmic hyper-mediation: Fake News, disinformation, misinformation and the commodification of behavior 17 (Nov 2018).
  • "The artist Olga Kisseleva's approach to her work is much the same as a scientist's. A discrepancy detected during a procedure or within the workings of a structure oblige her to formulate a hypothesis, in order to explain the complication in
  • Event: H2H Art Lab, L’Art comme forme avancée de la recherche sur les médiations humainesInstitution: iMAL, BruxellesComment:
  • 2010 MEDIATIONS Biennale “Beyond Erased Walls” September 5th- October 10th 2010 curators: Ryszard Kluszcynski and Tsutomu Mizusawa - Poznan, Poland
  • Boucher, Marc. L´image lumineuse et la scène In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 245-272. Québec: Presses de l'Université du Québec, 2003.
  • Sandra Alvaro is a scholar working on the encounters between art, science and society. Primarily dedicated to contemporary aesthetics, her recent work focuses on how the technological and societal changes from postmodernity affect and have been
  • Albertini, Rosanna. Un art fait de mémoire Esthétique des Arts Médiatiques 2 (1995).
  • Nature II
    Ascott, Roy. Nature II In Esthétique des arts médiatiques, edited by L. PoissantVol.2. , 437-452. Quebec: Presses de l'Université du Québec, 1995.
  • Ascott, Roy. Télénoïa In Esthétique des arts médiatiques, edited by L. Poissant, 363-384. Quebec, CAN: Presses de l'Université du Québec, 1995.
  • Poissant, Louise, ed. Esthétique des arts médiatiques: Interfaces et Sensorialité. Saint-Etienne: Publications de l´Université de Saint-Etienne, 2003.