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The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation
2016
Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.
Changing Space: Virtual Reality as an Arena of Being
1998
Davies, Char. Changing Space: Virtual Reality as an Arena of Being In The Virtual Dimension: Architecture, Representation, and Crash Culture, edited by John Beckmann, 144-155. New York: Princeton Architectural Press, 1998.
William Kentridge: What will come…has already come
2007
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2007
Mit der Präsentation neuer Arbeiten – Zeichnungen, Drucke, Stereoskopien und einer 8-minütigen filmischen Anamorphose – schließt William Kentridge sein Engagement als erster Inhaber der Max-Beckmann-Stiftungsprofessur in Frankfurt ab. Kentridges
Open Problems in Artificial Life
2001
Bedau, Mark and John McCaskill and Norman Packard and Rasmussen Steen et. al.. Open Problems in Artificial Life Artificial Life 6 (2001): 363-376.
V and A Pattern: Digital Pioneers
2009
Beddard, Honor and Douglas Dodds. V and A Pattern: Digital Pioneers. London: V and A Publishing, 2009.
max mip tex
2001
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2001
chad and I were playing around with running some of our half-life levels on a Hercules card [KyroII chipset] using the wrong drivers [Nvidia Geforce 2] . we suspected this might lead to something interesting, as they have very different ways of
Modeling Emergence of Complexity: the Application of Complex System and Origin of Life Theory to Interactive Art on the Internet
2000
Sommerer, Christa and Laurent Mignonneau. Modeling Emergence of Complexity: the Application of Complex System and Origin of Life Theory to Interactive Art on the Internet In Artificial Life VII - Proceedings of the Seventh International
Paul Sermon
1989-91 Post-graduate MFA, The University of Reading, Reading, England 1985-88 BA Gwent College of Higher Education, Newport, Wales 1984-85 Diploma in Art & Design, Bedford College of Higher Education, Bedford, England
In Search of a Vanished Blood
2012
Wie das leise Spiel an der Kinder-Krippe fügen sich Formen im Schattenspiel zu einer Geschichte. Das hat etwas Zauberhaftes, doch die Bilder brechen schnell mit der vermeintlichen Idylle. Die indische Künstlerin Nalini Malani ist mit ihrer
Bedlam
2001
BedlamArtist: Simon PennyComment:
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