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  • Cox, Donna. What Can an Artist Do for Science: "Cosmic Voyage" IMAX Film In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 53-59. Wien, New York: Springer, 1998.
  • Catherine Richards is a visual artist and professor working in old and new media. She uses installations and participatory strategies to reflect on the idea of technological impact in the body and often uses transparency and electricity as an
  • Jill Scott is an Artist and Professor for Art and Science in the Institute Cultural Studies in the Arts, at the Zurich University of the Arts. She holds a PhD form the University of Wales (UK), MA of USF, San Francisco, and a Degree in Education
  • Bill Seaman is a media artist and professor. He holds a Ph.D. from CAiiA, the Centre For Advanced Inquiry into the Interactive Arts a Master of Science in Visual Studies degree from the Massachusetts Institute of Technology (MIT), and a BFA at the
  • Grau, Oliver. Integrating Media Art into Our Culture - Art History as Image Science Fu-Jen Historical Journal (2006): 553 - 570.
  • Grau, Oliver. Integrating Media Art into Our Culture - Art History as Image Science a minima 13 (2005): 114-123.
  • Kisseleva, Olga. To be here and there: General Relativity and Quantum Physics In PLASTK Art and Science 1, Université Paris 1, Panthéon-Sorbonne, edited by Olga KisselevaParis: Université de Paris I, Panthéon-Sorbonne, 2010.
  • Ken Rinaldo is internationally recognized for interactive art installations developing hybrid ecologies with animals, algorithms, plants, and bacterial cultures. His art/science practice serves as a platform for hacking complex social, biological,
  • Gleich, Michael and Jeffrey Shaw, ed. The Web of Life Project: Linking Art and Science. Karlsruhe: ZKM, 2004.
  • Sommerer, Christa and Laurent Mignonneau. Media Facades as Architectural Interfaces The Art and Science of Interaction and Interface Design 1 (2008): 91-102.