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Two people, watching Blind Love Ready Made are sitting, earphones on, in front of their show, generated abstract shapes moving at the rythm of an invisible couple orgasmic vocalizations. This solitary pleasure is only disturbed by the fact to

Two concepts have marked 21st century creation, the metaphysical consequence of which is obvious to everyone, despite their apparent differences. The first is the idea that it is the spectator who creates the picture and the second is that the

...The spirit of contemporary art Most of the sensible minds have understood, since now long, that there is no reason to produce significant artwork nor explore virgin territories. It is a fundamental fact: it has to « be like contemporary art »…as reminded us utterly...

...communiqué Centre des Arts Pour ce dernier volet de la saison, le centre des arts invite l’esprit prolifique de Maurice Benayoun à investir ses espaces ainsi que ceux de la Médiathèque George Sand d’Enghien-les-Bains autour de deux propositions différentes. Jouant...

L’exposition à la médiathèque George Sand présente le travail vidéo de Maurice Benayoun - La série Quarxs réalisée entre 1990 et 1993 en collaboration avec le dessinateur de bandes dessinées François Schuiten et l'écrivain Benoît Peeters. une des

... with extreme forms are" making love "and" make war ". For "interesting" the Game, must embody the interaction. The art is sometimes a form of onanism, narcissism and despair, I propose a performance that puts the body at the center of the...

Two years before the turn of the century, a committee chaired by Jean-Jacques Aillagon, at the time director of the Centre Pompidou, was entrusted with the task of defining the ceremonies to celebrate the millennium. Oddly enough, I was invited to

... dans la logique de la Mécanique des émotions qui convertit les émotions du monde en sculptures reliques, constitue des cartes de ces mêmes émotions pour les jouer en performances publiques comme des partitions musicales, qui en fait des cocktails musicaux que...

... d’art Contemporain) 2010. I felt compelled by this reversed foot print, drawn by the visitors of this exhibition where art is for sale. I started thinking of an “interaction design” process: every time a foot touches what I consider as an “interaction...

... being sufficient to give it the precarious status of a work to be appreciated? Titling, in its radical form probably an artistic career, is a consequence of art being consumed (and above all consumable), the transfiguration of the banal through its...