Archive Search

  • Nevel -
    A matrix of nine pivoting walls forms a labyrinth whose architecture continuously changes. A sequence of different compositions creates choreography of spaces flowing into one another. It is an auto choreographic space to wander and get lost in,
  • AutoGene initially entices viewers with a sense of familiarity, appearing as a simple commodity sculpture. However, this impression is rapidly dispelled - with the push of a button. The circular arrangement of the sculpture, paired with the dramatic
  • Bichicuchitu - video
    Bichicuchitu” is a 3D computer animation inspired by new debates concerning biological productions that challenge definitions of what’s considered distinct species, calling for a reconsideration of notions on alterity. With the aim of reinterpreting
  • Corpocinema -
    ... air-inflated transparent PVC dome onto which film and...
  • Depocas, Alain. Digital Preservation: Recording the Recoding. The Documentary Strategy / Digitale Konservierung: Die Aufzeichnung der Neukodierung. Die Strategie der Dokumentation In Ars Electronica 2001: Takeover : Who's doing the Art of Tomorrow =
  • The Biennale of Electronic Arts, Perth (BEAP) is a new media arts festival held every 2 years for 3 months, spanning Perth Western Australia and is widely recognised as the premiere electronic arts event in the Asia Pacific region. BEAP examines the
  • The Biennale of Electronic Arts, Perth (BEAP) is a new media arts festival held every 2 years for 3 months, spanning Perth Western Australia and is widely recognised as the premiere electronic arts event in the Asia Pacific region. 1 September - 7
  • ECHOHCE -
    ... of associations that are related to the topic. They...
  • Delvaux's Dream -
    ... computer-generated forms are teaching us much in our... circumnavigation ensures coherence of the screen...
  • The installation MULTIPLE voice/vision is the output of a research project in the arts, with as focus how friction between multiple layers of sound and vision can be a trigger for embodied perception. A multitrack registration—for both sound and