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Frames
1999
-
1999
... the first photographs taken in a mental institution -- as a st
art
ing point for an examination of the relationship of photographer to...
Dancing with the Virtual Dervish
1995
-
1995
... Dervish provides interaction and chance p
art
icipation between
art
ists and public. A dancer in goggles and gloves interacts with...
The Shredder
1998
-
1998
Shred the Web! An Alternative web browser that turns web pages into digital confetti. At a time when the web browser struggled against print metaphors like magazine and newspapter to find it's own identity, The Shredder revealed the "soft" nature of
Tunnel
2000
-
2000
The coal tunnel has no architecture. Its walls consist of the stuff the mine produces. It has no exterior, an interior shaped by the task for which it is intended, surfaces that are nothing but raw materials, and a shape that must follow the coal
History of the Main Complaint
1996
... that gripped South Africa in the immediate post-ap
art
heid period, during which the Truth and Reconciliation Commission held...
Plot Against Time #3 (lower resolution excerpt)
2010
-
2010
Plot Against Time #3 (Insect Sonata (after Scriabin)), a single channel video, draws out the trajectories of insects in the my shady garden as they pass through beams of sunlight on a rare windless day in spring. The work's subtitle refers to early
Digital Landfill
1998
-
1998
...An neverending archive of digital trash. The
art
ist has created an interface, in which the User can copy files from his computer or foreign...
p-Soup
2001
-
2001
... on screen whenever a visitor to the piece clicks within the
art
-work. There are nine graphical "flavors" that the visitor can...
Ripple
1995
-
1995
"p-Soup" and the forerunner "Ripple" are more formal graphic approaches to the Internet and the computer, using the possibilities of the Internet as an interactive shared space for creating aesthetic experience. (source:
[spaces]
1995
-
1996
...[spaces]
Art
ist: Mark NapierComment:
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