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  • Event: HeK (House of electronic Arts) - Basel (Switzerland) / « Earthbound – In Dialogue with Nature » / Curator : Sabine HimmelsbachInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and
  • Statement Seit Mitte der 90er Jahre des letzten Jahrhunderts beschäftige ich mich mit dem urbanen Raum, Naturphänomenen, dem menschlichen Körper, politischen Themen und virtuellen Welten. Im Rahmen meines Kunststudiums habe ich Werke entwickelt,
  • Andy Lomas is a mathematician, digital artist and Emmy award winning supervisor of computer generated effects. Cellular Forms is the latest part of Morphogenetic Creations: a series of work which explores how complex organic structures, such as
  • Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and
  • VIRTUAL STRIPTEASE : DISTRIBUTED VIRTUAL STUDIO BROADCAST 1995 For the International Video Art Award ceremony organized by ZKM Karlsruhe and Suedwestfunk Baden-Baden (SWF) in 1995, Fleischmann and Strauss conceive a broadcast with audience
  • Event: QUARXS-PiloteInstitution: Galerie Sabrina GrassiComment:
  • Kohso, Sabu. The Thing That Sees: A reflection on "Molecular Informatics" by Seiko Mikami ARTLAB 6, Molecular Informatics – Morphogenic Substance via Eye Tracking (1996).
  • Kohso, Sabu. Parables on the Morphogenic Substance In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Seiko Mikami and Oscar Abril AscasoMalaga, Spain: Centro de Ediciones de la Diputación de Malaga,
  • Christina Kubisch was born in Bremen in 1948. She studied music, painting and electronics. Performances and concerts until 1980, subsequently sound installations, sound sculptures and work with ultraviolet light. Numerous grants and awards, such as