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  • ... had little idea what this meant, but somehow she felt closer to understanding why she was seeing something that she couldn't catch in a jar and show to someone else, although that did not stop her from trying... After rigorously pursuing painting and...
  • ... dialogue and reflection on the meaning of the terms. They make their own associations by spotting a word in the flow that catches their eye. The audience participates in a conversation through their various attempts at interpretation. Some visitors try to...
  • NAKED EYE
    ... narration. This built space of the imagination is not experienced collectively but by the individual. Sylvia Eckermann catches her audience at well rehearsed and established reception practices, she dissects traditional forms of image presentation –...
  • NET(WORK) -
    ...The projetct is dedicated to the phenomenon of nets. As we know, nets are some of the primary means for catching aquatic bioresources. The net thrives as a universal symbol with many possible applications and analogies. The word “net” – set’ – can refer to fishing nets...
  • Unformed Symbols -
    ... another element of deception into the work. The scale and presentation of these subjects, usually intended for play, catches the viewer off-guard when they come to life and refuse to react to their presence. In this way, the piece subverts the...
  • ... symbolizing that theflower and the butterfly can communicate their affection across a distance. In my soloexhibition Catching at the Museum of Contemporary Art Taipei (MOCA Taipei) in 2006, Iused 4D glasses and double projection to display 3D...
  • ...Kilpatrick, David. Catching up with Gertrude: Stein´s Faustus and the Wooster Group .
  • ...Pierre Martin. Pierre Martin, “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” (2011).
  • ...Event: Catching - Back to Nature SeriesInstitution: Moca TaipeiComment:
  • Lin Pey Chwen’s oeuvre extends from sculpture to interactive digital installations. Over the course of more than twenty years, her work encompasses a unique approach to media art and technology exploring a critical understanding of contemporary