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  • A New York City native, Matthew Ostrowski is a composer, performer, and installation artist. Using digital tools and formalist techniques to engage with quotidian materials -- sonic, physical, and cultural -- Ostrowski explores the liminal space
  • CURATORIAL STATEMENT:Many of the prominent international practitioners in the field of software art could not participate in the first version of CODeDOC since the Whitney Museum is, by its mission, devoted to American artists (citizens and artists
  • Krautgasser, Annja, ed. Verzeichnis. Wien: Schlebrügge Editor, 2010.
  • GEMMA ARGUELLO MANRESA. Relational Architecture: „Voz alta“ (Loud Voice), Rafael Lozano-Hemmer In PERFORMING CULTURES, edited by JAKUBPETRI, 43-51. KRAKOW: Institute of Philosophy of Jagiellonian University, 2015.
  • Mon Ami Bleu, by Fortunat Frölich (music) + Myriam Thyes (animation), 3D HD video, stereoscopic 3D animation, 3D sound, 13:55 Mon Ami Bleu (My Blue Friend) – a multimedia contemplation of a painting. The composer Fortunat Frölich and the video
  • Krämer, Sybille. Zentralperspektive, Kalkül, Virtuelle Realität. Sieben Thesen über die Weltbildimplikationen symbolischer Formen In Medien - Welten - Wirklichkeiten, edited by Gianni Vattimo and Wolfgang Welsch, 27-38. München: Fink Verlag,
  • Krämer, Sybille. Was haben die Medien, der Computer und die Realität miteinander zu tun? In Medien, Computer, Realität. Wirklichkeitsvorstellungen und Neue Medien, edited by Sybille Krämer, 9-26. Frankfurt/Main: Suhrkamp Verlag, 1998.
  • Krämer, Harald; Howe, Daniel; Chung, Kyle, ed. Elke Reinhuber: Face Value in CULTURAL R>EVOLUTION, ISEA 2016 Catalogue, p.238-241. Hong Kong: School of Creative Media, City University of Hong Kong, 2016.
  • Room for Manoeuvre -
    The exhibition 'Room for Manoeuvre' features new works by Knowbotic Research (KRcF), known for their advanced network and media projects since the founding of the artist group in 1991. In a specially designed audio-visual installation including four