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Personal Records, 72 p. German/English 1995

Alexander Hahn. Personal Records, 72 p. German/English. Zürich: Kunsthaus Zürich, 1995.
Rats/Ratten, 72 p. German/English 1994

Alexander Hahn and Edith Decker and Pavel Meyer. Rats/Ratten, 72 p. German/English. Berlin: DAAD Galerie, 1994.
One Hour of Deception, artist book, 48p. English 1991

Alexander Hahn. One Hour of Deception, artist book, 48p. English. Roma: Istituto Svizzero, 1991.
Alexander Hahn - Electronic Media, 48p. German/English 1989

Robert Fischer and Michael LaChance and Alexander Hahn. Alexander Hahn - Electronic Media, 48p. German/English. Kunstreihe, Zürich: Pro Helvetia, 1989.
Simulated Social Model (sensoric detection) 2004 - 2004

The society is always changing in a consequence of complex patterns of influences. The changes do not occur in a smooth flow but happens at different speeds at different times. The development of technology is given great importance in the history
A Long Shot of Delft, oneiric novel, 40p., New York (1985)A Long Shot of Delft, oneiric novel, 40p. 1985

Alexander Hahn. A Long Shot of Delft, oneiric novel, 40p., New York (1985) A Long Shot of Delft, oneiric novel, 40p.. New York: Alexander Hahn, 1985.
Coded Characters. Media Art by Jill Scott 2003

Hahne, Marille, ed. Coded Characters. Media Art by Jill Scott. Ostfildern-Ruit: Hatje Cantz, 2003.
Peter Hagdahl

Peter Hagdahl is an artist and professor. He make use of sculptural tradition and spatial configurations exploring the new realities of the information technology. He became the first professor of New Media Art at the Royal University College of
Art and Education in the Telematic Culture / Kunst und Erziehung in der telematischen Kultur 1989

Ascott, Roy. Art and Education in the Telematic Culture / Kunst und Erziehung in der telematischen Kultur In Synthesis - Visual Arts in the Electronic Culture / Die visuellen Künst in der elektronischen Kultur., edited by M. Eisenbeis and H.
Christophe Bruno

Christophe Bruno lives and works in Paris. He began his artistic activity in September 2001. His polymorphic work (installations, performances, conceptual pieces…) has a critical take on network phenomena and globalisation in the field of language

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