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Marta de Menezes. Nature? Ars Electronica 2000 (2000): 258-261.

Donath, Dirk. PROMISE AND REALITY. Weimar: eCAADe (Education in Computer Aided Architectural Design in Europe) and Bauhaus Universitat Weimar, 2000.

Beesley, Philip. NEIL FORREST: HIVING MESH. Halifax: St. Mary's University Art Gallery, 2000.

Haldenby, Eric and Beth Kapusta. Roma: THE LESSON OF ROME XX. Toronto: Riverside Architectural Press, 2000.

Diebner, Hans and Timothy Truckerey and Peter Weibel, ed. Sciences of the Interface: Proceedings of the International Symposium, ZKM_Karlsruhe, May 18 - 21, 2000. Tübingen: Genista Verlag, 2001.

Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.

Davies, Char. Landscape, Earth, Body, Being, World, and Time in the Immersive Virtual Environments Osmose and Ephémère In Emergent Futures: Art, Interactivity and New Media, edited by Angela Molina and Kepa Landa, 47-58. : Institució Alfonse el

Julian Oliver. Polygon Destinies: The Production of Place in the Digital Role-Playing Game In COSIGN 2001 Conference Proceedings, Melbourne Victoria, Australia: Julian Holland Oliver Interactive Information Institute RMIT University,, 2000.

Perissinotto,Paula & Barreto,Ricardo, ed. FILE SÃO PAULO 2019: 20 Anos de FILE 20 anos de Arte e Tecnologia. Vol.1000. 1 th ed.Sao Paulo: Sesi Editora, 2019.

Faina Balakhovskaya and Antonio Geusa and Luk Lambrecht. Александра Дементьева. Работы 2000 - 2007. / Alexandra Dementieva. Works 2000 - 2007. Catalogue. Moscow, Russia: XL gallery, 2008.