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  • Art ("and" or "versus") Technology Some Personal Observations
    Naimark, Michael. Art ("and" or "versus") Technology Some Personal Observations In Art@Science, edited by Sommerer. Christa and Laurent MignonneauNew York, Wien: Springer, 1997.
  • Embodied Cultural Agents: at the Intersection of Art, Robotics and Cognitive Science
    Penny, Simon. Embodied Cultural Agents: at the Intersection of Art, Robotics and Cognitive Science In AAAI Socially Intelligent Agents Symposium, , 103-105. : AAAI Press, 1997.
  • Lauren Lee McCarthy
    Lauren Lee McCarthy (she/they) is an artist examining social relationships in the midst of surveillance, automation, and algorithmic living. She is a 2021 United States Artist Fellow, 2020 Sundance New Frontier Story Lab Fellow, 2020 Eyebeam Rapid
  • Jon McCormack
    Jon McCormack is an Australian-based electronic media artist and researcher in Artificial Life and Evolutionary Music and Art. His research interests include generative evolutionary systems, computational creativity, machine learning, L-systems and
  • Un jardin extraordinaire
    Segura, Jean. Un jardin extraordinaire Science et Vie Micro , no. 115 (April 1994).
  • Tracking the Net
    Fischnaller, Franz. Tracking the Net In Ars Electronica ´99: Life Science, , 348-349. : Vienna and New York, 1999.
  • Picturing Science, Producing Art
    Jones, Caroline A. ;Galison, Peter Louis, ed. Picturing Science, Producing Art. London: Routledge, 1998.
  • Frieder Nake
    Studied mathematics in Stuttgart (Dr.rer.nat. 1967); postdoctoral fellow at Department of computer science, University of Toronto (1968/69); assistant professor computer science, University of B.C., Vancouver (1970-72); professor for computer
  • Chris O'Shea
    Chris O’Shea is an artist and experience designer. He creates installations that playfully challenge our perception of spaces and objects. He has been commissioned by BBC Big Screen, Design Museum and Science Gallery, Dublin, and has collaborated
  • Simon Penny
    Simon Penny is an Australian practitioner in the fields of Digital Cultural Practices, Embodied Interaction and Interactive Art. His practice has included artistic practice, technical research, theoretical writing, pedagogy and institution building.
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