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  • Manu Luksch, founder of Ambient Information Systems (ambientTV.NET,) is filmmaker who works outside the frame. The "moving" image, and in particular the evolution of film in the digital or networked age, has been a core theme of her works.
  • Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist
  • Event: Dérives singulières de la photographieInstitution: Rencontres photographiquesComment:
  • Event: Le jardin virtuel et autres dérives de la natureInstitution: colloque Le virtuel et le lierre, Fontevraud AbbeyComment:
  • Event: L’action se déroule au fond de l’image à gaucheInstitution: Heure Exquise, Musée des Beaux ArtsComment:
  • De Kerckhove, Derrick. Ein neuro-kulturelles Verständnis von Kunst und Spiel In Künstliche Spiele, edited by Florian Rötzer and Stefan et.al. IglhautMünchen: Boer Verlag, 1993.
  • Rowlande, Wade, ed. Connected Intelligence: The Arrival of the Web Society. London: Kogan Page, 1998.
  • Kunsthalle Wien, ed. Binaera: 14 Interaktionen - Kunst und Technologie. Wien: 1993.
  • Ray, Tom. Evolution and Optimization of Digital Organisms In Scientific Excellence in Supercomputing: The IBM 1990 Contest Prize Papers, Athens, GA, 30602, edited by Billingsley K. R. and E. Derohanes and H. Brown, 489-531. : The Baldwin Press,
  • De Kerckhove, Derrick. Die Wiederkehr der Sinne in der "Netzwerk-Kunst" In Interaktiv. Im Labyrinth der Wirklichkeiten. Über Multimedia, Kindheit und Bildung. Über reale und virtuelle Interaktion und Welten, edited by Wolfgang Zacharias, 71-81.