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  • Grenzzaun -
    Installation with 3D printed objects The border between the USA and Mexico is one of the most frequented borders in the world. Its fortifications serve primarily to control migration and the transaction of goods. The wall piece 'Grenzzaun' consists
  • Koffer - video
    Video sculpture English title, [Suitcase, 1993] A video is projected into a suitcase. The source image is the well-known photo depicting Anna and Sigmund Freud in 1938, looking out of a train window on the occasion of their emigration. Layerings,
  • RISIKO -
    Installation Europe, North Africa and the Middle East enclose the Mediterranean, generating a space "in-between": refugees seek to traverse it either from the Maghreb states or from Turkey towards Europe; in contrast, Europe creates both real and
  • Weibel, Peter. Ruth Schnell oder der Körper als Schnittstelle zwischen realen und virtuellen Räumen In On the occasion of La Biennale di Venezia 1995, edited by Ruth SchnellVienna: 1995.
  • Gudrun, Bielz; Schnell, Ruth, ed. On the occasion of La Biennale di Venezia. Vienna: Aperto, 1990.
  • Zillner, Christian. Die Tragtasche als Informationstransformator Published in: Ruth Schnell, Lisi Hämmerle Gallery, Catalog, Bregenz.
  • 3D printed object 200 x 120 x 120mm each MOCKUP MODEL: 3D plaster print, polymer plaster, 23 carat gold leaf; MOCKUP MODEL 2: 3D FDM print, polyamide, chrome-plated In co-production with Veronika Schnell The object 'MOCKUP MODEL' is based on the
  • Violating Patterns -
    Print on aluminium composite panel The UV print on Alu-Dibond shows a series of ornamental settlements. 'Violating Patterns' adopts the representation of NATO wire models from the product catalog of a market-leading manufacturer. The work arose in
  • Zillner, Christian. Ruth Schnell – Virtual Terms Published in: Veröffentlichte Kunst, Kunst im öffentlichen Raum Issue 4, Catalog des NÖ Landesmuseums, Wien.
  • Schnell, Ruth. In/different Spaces Lecture, 1999 as part of the project Differenz held at the Institute of Art History of the University of Innsbruck. Published in: Institute of Art History of the University of Innsbruck (editor): Differenz,