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Blast
1991
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1996
From its beginning in 1990, Blast has set out to explore contemporary texts and images and their accompanying practices of reading, viewing, and authoring. Blast has conducted these explorations in terms of a publication, investigating the changing
Stephanie Owens
Owens is an interdisciplinary artist, writer, and curator interested in the influence of digital networks and communication systems on contemporary aesthetics and the production of subjectivity. She is Director of Cornell Council for the Arts and
History of Computer ArtVI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web
2012
Thomas Dreher. History of Computer Art VI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web http://iasl.uni-muenchen.de/links/GCA-VI.3e.html#HTML.
Art Futura 2009: From Virtual Reality to Social Networks
2009
Event: Art Futura 2009: From Virtual Reality to Social NetworksInstitution: Art FuturaComment:
Banquete. Nodes and networks
2009
Event: Banquete. Nodes and networksInstitution: ZKM - Center for Art and MediaComment:
Banquete. Nodes and Networks / Banquete. Nodos y redes
2009
Event: Banquete. Nodes and Networks / Banquete. Nodos y redesInstitution: ZKM - Center for Art and MediaComment:
World of Networks
2022
Event: World of NetworksInstitution: Centre PompidouComment:
Connected Cities: Kunstprozesse im Urbanen Netz
2000
Dinkla, Söke and Christoph Brockhaus. Connected Cities: Kunstprozesse im Urbanen Netz. Ostfildern-Ruit: Hatje Cantz, 2000.
PICO
2004
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2005
We are working to create a new type of human-computer interface, called PICO, by combining some of the usability advantages of mechanical systems with the abstract computational power of modern computers. Long before modern electronic computers were
Jaromil Rojo
Jaromil, a free software programmer, performer and emigrant, is the author and maintainer of the GNU GPL'd softwares MuSE, FreeJ and Hasciicam, which allow audio streaming and real-time video manipulation, and of the live distribution dyne:bolic
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