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  • Monika Fleischmanns und Wolfgang Strauss' „Liquid Views“ – der virtuelle Spiegel des Narziss. Wissenschaftliche Hausarbeitzur Erlangung des akademischen Grades eines Magister Artiumder Universität Hamburg
    Becker, Daniel. Monika Fleischmanns und Wolfgang Strauss' „Liquid Views“ – der virtuelle Spiegel des Narziss. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg [
  • greenhouse converter 2010 -
    ... as the word “beloved”, which is a reference...
  • Connexions: art, réseaux, média
    Ècole Nationale Supérieure des Beaux-Arts, ed. Connexions: art, réseaux, média. Paris: Ensb-a, collection Guide de l´Etudiant en Art, 2002.
  • Lila Moore
    Lila Moore is a pioneering artist, filmmaker, screen choreographer, networked performance and mixed reality creator. She holds a practice-based PhD in Dance on Screen from Middlesex University (2001, UK) in the context of modern and contemporary
  • Futuros Emergentes: Arte, Interactividad y Nuevos Medios
    Landa, Kepa, ed. Futuros Emergentes: Arte, Interactividad y Nuevos Medios. Valencia, ES: Institució Alfonse el Magnánim, Diputació de Valencia, 2000.
  • Del net.art al web.art 2.0
    Casares, Nilo. Del net.art al web.art 2.0. Vol.1. 1ª th ed.Valencia, Spain: Institució Alfons el Magnànim, 2009.
  • Jorn Ebner
    Jorn Ebner was born in Bremerhaven, Germany in 1966 and lives in Berlin, Germany. He attended Universität Hamburg, Germany (1990-95), Fondazione Antonio Ratti, Italy (1997) and Central St Martins College of Art, London (1995-98). He has exhibited in
  • Diaa Ahmedien
    Diaa Ahmed Mohamed Ahmedien is a lecturer in sciences of visual arts and sciences of New-Media Arts. He is an artist, educator, researcher, and creator to setup systems of artworks, basically depending on the intersection between art, sciences, and
  • Euopean Media Art Festival 1992
    In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin
  • La restauración del significado. Arte, otra vez
    Casares, Nilo. La restauración del significado. Arte, otra vez. Vol.1. 1ª th ed.Valencia, Spain: Institució Alfons el Magnánim, 2004.
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