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Intuitive Visual Interaction for Transfiction
2001
-
2001
Intuitive movements in front of a mirror are banal. Replacing the mirror by a screen showing a similar mirrored image, but filmed and augmented with "transfiction/alized elements, results in visual interaction, in body movements, which can trigger
Hello, world!
2004
-
2005
Hello, world! analyses the ephemerality or longevity of storage media and uses acustic signals for data storage. In a closed system, which is made up of a computer, a loudspeaker, 246 metres of copper pipe and a microphon, circulates a codified,
Water Bowls
2006
-
2006
... scientific observations as the source... (source: vv.
art
s.ucla.edu)
LPDT2
2010
-
2010
... Life® incarnation of Roy Ascott's groundbreaking new media
art
work La Plissure du Texte ('The Pleating of the Text'), created in...
UNPREPARED PIANO
2010
-
2010
... idea of, 'Prepared Pianos' developed for the most p
art
by the
art
ist John Cage, and although software is used in this case to alter...
Light from Tomorrow
2006
-
2006
... Light from Tomorrow is an
art
work by British
art
ists Thomson & Craighead. It centres on an expedition to The Kingdom of Tonga, where...
Weather Gauge
2006
-
2006
In Weather Gauge, numerical weather data from over 150 countries is simultaneously represented in a gallery forming an array of hypnotic animated data referencing a huge global spread of live information. Each piece of weather data rotates between
Raumatmen / wetf(r)iction
2005
-
2005
... - it is not hardware but wetware - it is a breathing, living
bio
-substance - a flexible membrane which moves - future material...
Telephony
2010
-
2010
Telephony allows gallery visitors to dial into a wall based grid of 42 Siemens mobile telephones, which in turn begin to call each other and create a piece of 'music.' Each phone has been individually programmed with a different ringtone, which
Landing Home in Geneva
2005
-
2005
... Boissier and Daniel Pinkas and produced with Haute Ecole d'
art
s appliques de Geneva, and was shown at the Centre pour L'image...
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