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Disappearance #1, #2
2008
-
2009
Light installation The unintentional glances of observers are one of the key factors in the artist's work with light sticks. For the exhibition Strom des Vergessens, terms related to the topic “remembering/forgetting” appeared briefly in the space
Fleckvieh und Kontinente
1994
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1994
Video installation in public space Anamorphically distorted video projection with different points of view. The work was installed in the public space in Feldkirch (AT).
Gegen die Zeit
2001
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2008
video
Dynamic video installation [English title, Against Time] After the piece 'In between' (1999), 'Gegen die Zeit' is another installation for the secularized Johanneskirche in Feldkirch. The video projection depicts a female arm holding either a brush
Laufende Projekte
1993
-
1993
Video installation [English title, Ongoing Projects] "The projection of a sequence of images onto a ball and, as a consequence, the wall behind it, results in the juxtaposition of two projection surfaces. Whereas the ball displays a focused but
Mirrors of the Unseen (MotU) #4, #5, #6
2016
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2016
... associatively con
den
sed through sequencing...
All Targets Defined
2006
All Targets DefinedArtist: Ruth SchnellComment:
Ovid
1996
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1997
video
Video installation Series 'Bags' A text from the sixth book of Metamorphoses runs from the foreground to the background on a three-dimensional "screen" consisting of 39 shopping bags. The tale of the weaving contest between Pallas Athena and
Positionen
1997
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1997
video
PositionenArtist: Ruth SchnellComment:
Punching Ball
1989
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1989
video
Video sculpture A monitor is hung up with rubber bands and steel spirals, and thus installed as a punching ball in the exhibition space. A video shows the world globe seen from orbit. The globe rotates and passes through a process of resolution and
Floating Signs II
2011
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2011
Three-part light installation Series 'Mirrors of the Unseen (MotU)' 'Floating Signs 2' features three light sticks, each consisting of a vertical bar of white flickering LEDs. For the viewer, the words and images seem to emerge from the bars,
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