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Ryota Kuwakubo "R/V"
2005
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2005
An affinity between humans and robots. Cute robots are equipped with monitoring screens reflecting participants faces. YCAM opens an exhibition of artist Ryota Kuwabuko's new installation "R/V". In this work, participants who use remote control
010101
2001
Cutler, Randy Lee. 010101 Canadian a/r/t 18, no. 3 (Fall 2001): 118-120.
CutOut fest - Special Mention, Experimental Category
2017
Event: CutOut fest - Special Mention, Experimental CategoryInstitution: CutOut FestComment:
Remote Impressionist Art
2006
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2006
Generative art "en plain air": In four squares appearing on the computer screen the viewers of remote impressionist art (2006) see cutouts from heaven above not closer defined places on this world: grey, blue, black white and every shading you can
Bo Lee
Born in Seoul, South Korea, Bo Lee is a contemporary artist, using video, drawing and found objects to explore various themes. His videos often implement a collection of rapid cuts to experiment with social meaning while his drawings play with
Aspen Moviemap
1978
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1979
video
The first interactive moviemap was produced at MIT in the late 1970s of Aspen, Colorado. A gyroscopic stabilizer with 16mm stop-frame cameras was mounted on top of a camera car and a fifth wheel with an encoder triggered the cameras every 10 feet.
Karlsruhe Moviemap
1991
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1991
video
The Karlsruhe Moviemap was commissioned by the Zentrum fur Kunst und Medientechnologie (ZKM), a state-funded arts and media lab in the town of Karlsruhe, Germany. Karlsruhe has a well-known tramway system, with over 100 km of track snaking from the
Legal Tender
1996
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1997
Legal Tender (1996) was the first Internet telerobotic laboratory. Visitors to www.counterfeit.org were presented with a pair of US$100 bills, one real the other counterfeit. Users could perform experiments on the bills by registering with an
Flickering Signifiers
1998
Flickering Signifiers is an ambient light installation concerned with the rhythmic nature of television light and how it is used to seduce and compel the viewer into a kind of hypnotic and passive inaction-while watching. Detection of movement has
Watchers
1996
"Watchers" are ambient light sculptures concerned with the rhythmic nature of television light and how it is used to seduce and compel the viewer into a kind of hypnotic and passive inaction. Detection of movement has been at the core of our
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