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Davies, Char. Landscape, Earth, Body, Being, World, and Time in the Immersive Virtual Environments Osmose and Ephémère In Emergent Futures: Art, Interactivity and New Media, edited by Angela Molina and Kepa Landa, 47-58. : Institució Alfonse el

Salter, Chris. The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision In See This Sound - Audiovisuologies 2, edited by Lentos Museum and Ars Electronica and Ludwig Boltzman InstitutKöln, DE:

Salter, Chris. Environments, Interactions and Beings: The Ecology of Performativity and Technics In Interfaces of Performance, edited by Maria Chatzichristodolou and Rachel Zerihan and Jannis JeffriesLondon: Ashgate, 2009.

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by

Paul, Christiane. Neural Networks vs. Computer-Networked Environments. Cognition and Communication in Digital Art http://www.artbrain.org/neural-networks-vs-computer-networked-environments-cognition-and-communication-in-digital-art/ [21.10.2014].

Thiel, Tamiko. The Design of the Connection Machine In The Designed World: Images, Objects, Environments, edited by Richard Buchanan and Dennis Doordan and Victor Margolin, 155-166. Oxford/New York: Berg, 2010.

Reinhuber, Elke. Decidophobia – an artistic research on the possibilities of immersive environments ICONO14. Journal of Communication and Emergent Technologies 12, no. 2 (August 2014): 206-229.

Hudson, Dale and Patricia Zimmermann, ed. Thinking Through Digital Media - Transnational Environments and Locative Places. New York: Palgrave Macmillan, 2015.