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Strauss, Wolfgang and Monika Fleischmann. Intersections between Communication, Art and Technology - the CAT Study In New Media Culture in Europe: Art Research, Innovation, Participation, Public Domain Learning, Education Policy, edited by Frank

Mitchell, William J. and Marjory Blumenthal and Alan S. Inouye, ed. Beyond Productivity: Information Technology, Innovation, and Creativity [National Research Council]. Washington, D.C.: The National Academies Press, 2003.

Wise, S. A. and J. Rosen and Scott Fisher and Glass K. and Wong, Y.. Initial Experience with the DataGlove, A Semi-Automated System for Quantification of Hand Function In Proceedings of the 10th Annual Conference on Rehabilitation Technology,

Cox, Donna. Algorithmic Art, Scientific Visualization and Tele-immersion: an Evolving Dialogue with the Universe In Women, Art, and Technology, edited by Judy MalloyCambridge, London: The MIT Press, 2003.

Shanken, Edward A., ed. Telematic Embrace: Visionary Theories of Art , Technology, and Consciousness by Roy Ascott. Berkeley, CA: University of California Press, 2003.

Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: The MIT Press, 2003.

Shanken, Edward A.. Art in the Information Age: Technology and Conceptual Art In SIGGRAPH 2001 Electronic Art and Animation Catalog, edited by SIGGRAPH 2001, 8-15. New York: ACM SIGGRAPH, 2001.

Brew, Kathy. Through the Looking Glass In Women, Art and Technology, edited by Judy MalloyCambridge, Mass.: MIT Press, 2003.

Crighton, Gary. The Real and the Virtual: Karl O´Donoghue Interviews Char Davies New Media Notes: Art and Technology in Ireland , no. 2 (March 1999).

Reaney, Mark. Virtual Scenography: The Actor/Audience/Computer Interface Theatre Design and Technology 32, no. 1 (Winter 1996): 36-43.